It takes the
hilarious comic talent of Jon Stewart to uniquely turn a press
interview like the one below into a parody of an interview! And
I'm still wondering exactly how he did that. The fact that he
plays a hugely unappreciated perfect date (opposite X-Files'
Gillian Anderson) and seriously nice guy in Willard Carroll's
Playing By Heart doesn't slow down Stewart's mile a minute
humor one bit.
The thirty
six year old comic who's also hosting The Daily Show on
Comedy Central, had plenty of punch lines to relate about Playing
By Heart and it's all star cast. That stellar roll call includes
Sean Connery, Gena Rowlands, Dennis Quaid, Madeline Stowe, Jay
Mohr, Ellen Burstyn, Angelina Jolie, Ryan Phillipe, and the list
goes on and on.
PRAIRIE
MILLER: It looks like you've been real busy today with the
press. So are you in the mood for another interview?
JON STEWART:
What the heck!
PM:
Well, what grabbed you about Playing By Heart?
JS:
The idea that they would let me do it!
PM:
Oh?
JS:
Yeah, I'm very particular in that way! Oh yeah. I won't do any
film they won't let me do. As you've noticed in many of the films
that have come out. You know, that I'm not in. Yeah.
PM: How
about this movie, the one you are in.
JS:
Well, I didn't find out about it. They were already shooting the
film when I was cast. It was one of those things where somebody
must have dropped out. Or they got a case of food poisoning, or
something. So they sent me the script and said, do you want to
run in and audition for this? I did, and the next thing I knew...It
was sort of like winning a contest
PM:
You mean you think you got the role by default?
JS: Most
likely. That's what I'm assuming.
PM:
But you didn't ask.
JS: No,
no, no. I never ask. But there was always that sense. For instance,
my name tag on the trailer was the only one was that written in
masking tape. So just in case if somebody else came along, they
could rip it off and put somebody else's name tag right on it.
So...
PM: This
role is a big change for you.
JS:
Yeah. Most people are obviously used to seeing me in musical theater.
As the calico cat.
PM: Well
did that create an identity crisis for you?
JS: No.
For God's sakes, I'm very adept at realizing the difference between
reality and show business. There is a
difference, right? Whew!
PM: I'm
beginning to think not, what with Clinton and everything.
JS: Yeah,
that's a good point.
PM:
What was it like working with an intimidating kind of guy like
Sean Connery?
JS: There
was a lot of bad blood. You know, it's sort of like two dominant
males in the same place. So there's a lot of banging heads, but
we sort of marked our own territory and stayed away from each
other.
No, actually
he was a very sweet guy. We only really worked together once,
but he couldn't have been nicer or more charming. I actually was
a bit intimidated just in terms of his presence. I think the only
things I said to him were, nice to meet you. And, is that your
donut? Because I thought it might have been mine. But other than
that he couldn't have been nicer. I just enjoyed being around
him. He's a very lively guy. And it was a pleasure to watch him
working.
PM: So
do you have any other interesting war stories from the set?
JS:
The first time I did meet Sean, I was working with a one hundred
eighty five pound mastiff that was my partner in the movie, other
than Gillian. And right before I was supposed to do a rehearsal
of the scene with Sean Connery, the mastiff decided there was
something very interesting and smelly in my crotch. So he jammed
his face in there, and those dogs drool quite a bit.
So when he
removed his face - I encouraged him to - he left a slug trail
of drool across my crotch. So I had to walk across the yard to
meet Sean Connery, with what appeared to be extremely wet pants.
But Sean was very polite about it and made no mention.
PM: Was
Sean staring a lot?
JS: I believe
there was a glance down. I don't know if it was at the drool,
or if he was just checking out, as I said, the other dominant
male. But I believe it was the drool. It was hard to miss. I mean,
it looked like a Jackson Pollack painting of drool on my crotch.
So...
PM: Ugh!
JS: Yeah,
kind of disturbing.
PM: I
would think so. Are you anything like your character in Playing
By Heart?
JS: Hmm.
Same height. But other than that it's pretty much of a departure..
My personality is not quite as nice as that.
PM:
Hey, where were you and what were you doing when you found out
you were so funny?
JS: You
know what? I don't have that moment of epiphany. But I think I
always knew I was a wise guy, because especially growing up, it
got me in a lot of trouble. I do remember being a kid who did
Nelson Rockefeller impressions, or something ridiculous like that.
So I don't know if I was ever considered funny, but I definitely
did have an obnoxious tint to my personality. I was voted "Best
Sense Of Humor" in high school. That's about the only
accreditation I have as far as being funny. You'll just have to
just take my word for it.
PM: And
how did you find yourself suddenly being a comic?
JS: I
graduated college and was bartending in a couple of places and
thought, okay. I can either do this forever, join the softball
team, get married, or I can see if I can do what I really want
to do. So I moved to New York in 1986, and in 1987 I just started
doing comedy, and tried to get on stage and do as much as I could.
Yeah. I have no great discovery stories. It was just a series
of a lot of work over a period of time.
PM: Is
it true what they say about comics, that they're really depressed?
JS: No.
Comics are for the most part as much fun as a barrel of monkeys.
Not a drop of sadness in the bunch. It's a character we play for
the public. But when we're all together, it's like a birthday
party. Comics are the most supportive, healthy un-neurotic people
that I think I've ever met...Wait. That's not comics, that's lawyers!
I'm sorry, did you say comics? Oh yeah, yeah. We're a mess.
But no. Actually,
you know what? Some of the most interesting, smartest nicest people
that I've ever met are comics.
PM: What's
the secret thrill of being a comic?
JS: Uh...Free
booze at the clubs. Usually. Sometimes they'll make you pay, it
depends on the crowd. No, I think it's the independence. The idea
that it's most like sports of anything I've ever done in the real
world, other than sports. It's a competition. It's gladiatorial
in nature, to a certain extent. And you've got no one to blame
but yourself. Like sports.
PM: And
you don't get fed to the lions at the end.
JS: You
don't get eaten at the end. Exactly.
PM: I
hear you're shooting Big Daddy right now.
JS: Not
right now. Tomorrow.
PM: You
co-star with Adam Sandler in Big Daddy. What's it like
working with Adam Sandler?
JS:
Oh, it's terrific. He's hilarious. You know, he's a guy I've known
for a lot of years from doing standup in New York. And he's hilarious.
PM:
Now even as we speak, Sandler has suddenly been thrust into the
position of the number one comic on the planet. with The Waterboy.
So how is he taking it?
JS: I
don't know. You're not allowed to talk to him anymore. So I'm
not quite sure. There's a team of what looks to be Secret Service
around him. So...
No, he's the
exact same. I saw him the next morning all that happened with
The Waterboy, and he was giggling. He was very happy, but
very much the same as he was the week before. He's still the same
guy in terms of being funny and original, that sort of thing.
He's sticking to his guns and doing what got him there, what he
thinks is funny. I think what really makes him so successful is
that he's staying to what he knows. He hasn't changed it, he's
just kept growing and making it better. So yeah, it was good.
It's nice when nice happens.
PM: What
were your first gigs like when you got to Hollywood?
JS: I
never got to Hollywood, I got to Bleecker Street. My first gig
ever was at The Bitter End on Bleecker Street. You get the whole
story, you know, that Woody Allen was here and Bill Cosby was
here. But believe me, they were long gone by the time I showed
up! So it was a slow ride. That was in April or May of 1987.